Buenos Aires didn’t just host a concert this weekend — it hosted a cultural moment.
Bad Bunny kicked off the first of three sold-out nights at the iconic Estadio Monumental, packing 80,000 fans into River Plate’s legendary home. Tickets reportedly disappeared within hours last May — another record in a career built on breaking them.
From salsa and bolero to reggaetón and pop, Benito Antonio Martínez Ocasio delivered a genre-blending spectacle that felt both massive and intimate. The stage production was next-level: fireworks, immersive LED visuals, a giant HD screen stretching across the stage, dancers, and even a live salsa orchestra, Los Pleneros de la Cresta.
Three years after his last Argentina stop at Vélez, this wasn’t just a return — it was an evolution.
A Love Letter to Argentina
Bad Bunny made his connection to Argentina clear from the start. Rocking the Argentina national team jersey with Lionel Messi’s old No. 19, he told the crowd, “It feels like coming home.”
He even teased “De Música Ligera,” the classic from Soda Stereo — a subtle nod that sent the stadium into another frenzy.
The setlist ran through eras: “Callaíta,” “NUEVAYoL,” “Tití Me Preguntó,” “Eoo,” and more, divided into three acts. One segment unfolded at the back of the field inside a mock Puerto Rican house, where local stars like Bizarrap, Tini, María Becerra, and La Joaqui danced along.
Beyond the Headlines
The River Plate shows come on the heels of a historic run: becoming the first artist to win Grammy Album of the Year with a Spanish-language project (Debí Tirar Más Fotos) and delivering one of the most talked-about Super Bowl halftime performances in recent memory.
But in Buenos Aires, politics and controversy faded into the background.
“The only reason we’re here is for you to have a good time,” he told the crowd. “This show is about the union of Argentina, Puerto Rico, and Latin America.”
For one night, 80,000 voices sang in Spanish, together — and that unity? That might’ve been the loudest moment of all.






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