Bad Bunny promised a party — and at Super Bowl LX, he delivered something far bigger.
The Puerto Rican superstar, born Bad Bunny (Benito Antonio Martínez Ocasio), made history as the first solo artist to headline the Super Bowl halftime show in Spanish, transforming the world’s biggest stage into a vivid celebration of Puerto Rican culture, Latin identity, and unity across the Americas.

Performing 13 songs in just under 13 minutes, Bad Bunny opened with “Tití Me Preguntó,” strutting across an elaborate set inspired by Puerto Rico — complete with pava hats, domino tables, a nail salon, roadside desserts, and la casita, the traditional Puerto Rican home he dramatically crashed through mid-performance.
Culture at the Center
Rather than delivering overt political attacks, Bad Bunny let symbolism do the talking. Songs like “El Apagón”spotlighted real-life issues in Puerto Rico, including blackouts and economic strain, while dancers climbed mock power lines under flashing stadium lights. The performance was deeply rooted in lived experience — not slogans.

Inside the staged house party, Latin celebrities including Karol G, Jessica Alba, and Pedro Pascal appeared, reinforcing the sense of community and shared heritage.

Surprise Guests, Super Bowl Tradition
In classic halftime fashion, Bad Bunny wasn’t alone. Lady Gaga joined him for a salsa-infused moment, dancing alongside Benito during a remix that blended global pop with Latin rhythm. Later, fellow Puerto Rican icon Ricky Martin appeared during a performance addressing gentrification and displacement.

A Message Without Shouting
Speculation swirled before the show about whether Bad Bunny would directly call out U.S. politics or immigration enforcement, especially after his outspoken Grammy speeches. Instead, he chose a broader message.
As he closed with DtMF, the title track from his Grammy-winning album DeBÍ TiRAR MáS FOToS, Bad Bunny led flagbearers waving the flags of Latin American nations — including Chile, Argentina, Uruguay, Bolivia, Paraguay, and Canada. Holding a football reading “Together, we are America,” he reminded viewers that America is bigger than borders.
Behind him, a single sentence filled the stadium screen:
“The only thing more powerful than hate is love.”

A Victory Lap Moment
The halftime show capped a massive run for Bad Bunny. In 2025, he became the most-streamed artist in the world, released a record-breaking album, won Album of the Year at the Grammys, and headlined a residency in Puerto Rico — all before stepping onto the Super Bowl stage.
Love, culture, pride, and representation took precedence over confrontation. And in doing so, Bad Bunny didn’t just perform halftime — he redefined it.







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