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Bad Bunny kicked off his historic residency, “No Me Quiero Ir De Aquí” (“I Don’t Want to Leave Here”), on July 11 with an electrifying performance that fused Afro-Caribbean folklore and reggaeton, igniting a wave of pride and emotion across Puerto Rico. Held at San Juan’s iconic Coliseo José Miguel Agrelot, or “El Choli,” the residency is an unapologetic love letter to the island’s people, history, and cultural identity.
The stage opened like a lush rainforest, with the global superstar joining folkloric drummers and dancers in a symbolic tribute to Puerto Rico’s legacy of resistance. This isn’t just entertainment — it’s education. Throughout the show, screens displayed facts about the island’s colonial status and political reality, reminding attendees that while Puerto Ricans are U.S. citizens, their rights remain limited.
The first nine shows are exclusively reserved for Puerto Rico residents, a powerful statement by Bad Bunny, born Benito Martinez Ocasio, reinforcing his ongoing commitment to center his art around his homeland. Fans, some wearing traditional “pava” straw hats and waving flags, sang every lyric in unison, from stripped-down acoustic ballads under a tree to house-party anthems shared with stars like LeBron James.
The show’s fusion of sound, spectacle, and political commentary struck a deep chord with locals and diaspora alike. For attendees like Amanda Sanchez, the experience was “transcendental,” while others like Michelle Muñoz, a Puerto Rican-American from Brooklyn, described Bad Bunny as a truth-teller honoring the island’s musical lineage without compromising his roots.
Running through September with weekend shows, the residency stands as a groundbreaking moment in Latin music — not just for what it sounds like, but for what it stands for.
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